![magnifique ratatat wiki magnifique ratatat wiki](https://cf-cdn.beggars.com/xlrecordings/site/images/products/228/packshot/small_dvr_dirty_tapes_EP_Packshot_4000x4000_copy.jpg)
The first single, “Cream on Chrome”, was released way back in April, and stirred up a fair amount of buzz. Essentially, if you like one Ratatat album you’ll most likely like them all.Īlthough this album came out almost two weeks ago, I held back reviewing it until I’d given it a couple of listens through, which was definitely a good idea.
Magnifique ratatat wiki series#
As such, I view their albums together as a collective, extensive work rather than a series of individual albums. Some might view this as a bad thing, a failure to progress artistically, but Ratatat have pretty much invented their own unique sound and kept churning out what their fans want. It’s been 11 years since they released their first album, and it seems like they’ve steadily built up a cult following without ever radically changing their sound. Ratatat have returned with their fifth studio album and first in five years, Magnifique, and in true Ratatat fashion it’s somewhat slipped under the radar. Magnifique doesn't show a ton of artistic growth or progression it's more of a rebranding that tightly focuses on their strengths and passes them to the consumer like a sharp, swift punch to the brain and feet.Menu ▲ Album Review: Ratatat ‘Magnifique’ Words by Scenewave Oz - Published on July 30, 2015 "Everest" features a particularly well-crafted beat that pops in and out of the guitar'n'synth mayhem atop it, making the song (and the rest of the album, for that matter) good for closehe way they intended. They sound uniquely live, but their clicking, stuttering rhythms are definitely electronic and would be difficult, if not impossible, for a live drummer to produce. Often, Ratatat's music is deceptively simple in particular, Mast's beats are more interesting and intricate than they sound at first. A slight hip-hop vibe also pops up from time to time, most clearly on "Crips"â insistent bass and rattling beat, but also in the spoken word interludes that dot the album. The bittersweet naïveté that floats through the album also recalls a more roughed-up version of Plone's nursery rhyme electronica, particularly on "Cherry," the sleepy epic that closes Ratatat and pays tribute to the band's former name. Stripping away much of the excess instrumentation and frills that adorned the previous two albums, Magnifique mostly sticks to the basics on the way to becoming the duo's most brightly immediate record yet, bouncing between sunny, hook-heavy uptempo tracks that have the kind of manic energy that could lead people to tear off their shirts and seriously lose it on the dancefloor and relaxed, soft rock-inspired songs that serve as a nice soundtracktatat plays like an indie spin on "Aerodynamic" from Daft Punk's Discovery, albeit with a slightly less arch feel. Though it was released five years after its predecessor LP4, a gap that might lead one to think that big changes were brewing, 2015's Magnifique delivers everything fans might expect from a Ratatat album. Though there have been slight stylistic diversions on the albums that followed, especially on 2008's LP3, their core of neatly wound, double-tracked guitar melodies, thrumming basslines, and tight beats has remained intact. The duo of Mike Stroud and Evan Mast have stayed remarkably true to the sound they developed on Ratatat's first album, 2004's self-titled affair.